The Cambridge History of American Theatre: Volume 2: 1870-1945

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The Cambridge History of American Theatre (Volume 3)

Can we make aesthetic judgements about tilOse productions that no one now living has seen? What standards do we apply to carnival shysters?

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If there is one motif that runs through this volume , it is the notion that theatre is a cultural institution: "The history of the American stage and the making of America have been cotenninous" xvi. This criterion, however worthy, does have the potential to problematize as well as illuminate.


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And should we reclaim Rachel Crothers with quite so much enthusiasm because, as Brenda Murphy states, "[hler plays are significant cultural documents that provide an extensive commentary on three generations of American life" ? In this light, portions of the book that both locate and evaluate stand out.

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Brenda Murphy on Eugene O'Neill is particularly effective because she places him squarely in the middle of the Modernist Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.

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The Cambridge History of American Theatre 3 Volume Hardback Set

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Modern Drama. II: ed. Wilmeth and Christopher Bigsby review Barry B.


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Bigsby, C(hristopher) W(illiam) E(dgar) (Christopher Bigsby) | bonyledewydy.gq

Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Search playbills, recordings and scripts. Articles on the Federal Theater Project.

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The Cambridge History of American Theatre 3 Volume Paperback Set

San Francisco Street Theater. Volume 2 by Don B. Volume Two begins in the post-Civil War period and traces the development of American theater up to It discusses the role of vaudeville, European influences, the rise of the Little Theater movement, changing audiences, modernism, the Federal Theater movement, major actors and the rise of the star system, and the achievements of notable playwrights.

This volume places American theater in its social, economic, and political context. Cambridge History of American Theatre.

Beginnings to Volume 1 by Don B. The first multi-volume history of the American theater to have been published, The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theater in all its dimensions. It recognizes changing styles of presentation and performance, and addresses the economic context that conditions the drama presented.