Global Interests: Renaissance Art Between East and West

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Documentary Renaissance HD - Art Of The Western World 3 The Early Renaissance

While this may be the case, the cultural history of Europe, at least from the mid-nineteenth century, suggests that, in fact, the East has exerted a strong grip over European minds in the fields of art, design, mathematics and metaphysics, to name but a few, and that Eastern artistic objects have been highly prized and widely assimilated. Therefore, while the book recycles the assumed conflation between "barbarism," "exoticism" and "The East" without presenting it as having a substantial factual base, the impression is created of a general derogation of the East by the West that is not historically accurate.

And while the methodology of analyzing visual arts in terms of power relations throws up useful insights, it cannot supplant more aesthetic readings without reducing works to dry political fact-sheets.


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What's more, such "power-based" analysis can hardly be called "new" in the light of a long tradition of similar criticism going back through Foucault to Marx. Given the academic provenance of the authors, one would have expected a much tighter, more securely grounded case that did not leave non-specialists, like myself, questioning the very basis of the book's thesis.

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